Press kit and booking desk
Bios, the stage plot, the input list and date holds.
The band at a glance
- Based in
- Chicago, IL
- Lineup
- Six players: vocal, tenor sax and flute, Rhodes, upright bass, drums, percussion
- Sound
- Indie soul and cinematic instrumental
- New record
- Night Train to Dearborn (JTS-004), out
- Set lengths
- 45, 75, or 90 minutes; two sets on request
- Travel party
- Six musicians and one front-of-house engineer
- Inputs
- 8 channels, 4 monitor mixes
- Changeover
- 20 minutes, 15 with a drum riser on wheels
Stage plot & input list
From the tech rider, drawn from the house. Choose a player to see their footprint, monitor mix and channels.
| Ch | Source | Mic or DI | Stand | Player | Notes |
|---|---|---|---|---|---|
| 01 | Kick | Shure Beta 52A | Short boom | Kenji Abe | Outside the resonant head |
| 02 | Snare | Shure SM57 | Clip or short boom | Kenji Abe | Brushes most of the night: leave plenty of gain |
| 03 | Drum overhead (mono) | Neumann KM 184 | Tall boom | Kenji Abe | Centered over the snare, about 4 ft up |
| 04 | Upright bass | DI (Radial J48) | None | Desmond Pryor | From the band’s preamp. Phantom on |
| 05 | Rhodes | DI (Radial J48) | None | Marisol Vega | From the amp’s line out. Mono |
| 06 | Tenor sax / flute | Sennheiser MD 421 | Tall boom | Theo Banks | One mic for both; Theo works it |
| 07 | Percussion overhead | AKG C414 | Tall boom | Ama Lyle | Cardioid, between the congas and the table |
| 08 | Lead vocal | Shure Beta 58A (band’s own) | Round-base straight | June Avery | Light compression, no effects past a short plate |
Bios for programs and listings
June & the Satellites are a six-piece indie-soul and cinematic instrumental band from Chicago. Led by June Avery, they set Rhodes, upright bass, tenor saxophone, flute, drums, and hand percussion around songs about night shifts and late trains. Their new LP, Night Train to Dearborn, was recorded live to tape.
June & the Satellites are a six-piece indie-soul and cinematic instrumental band from Chicago. Singer June Avery started the group in a South Loop rehearsal room with Rhodes player Marisol Vega and bassist Desmond Pryor, and the lineup grew to include tenor saxophonist and flutist Theo Banks, drummer Kenji Abe, and percussionist Ama Lyle. Their music sits between late-night soul and film score: long instrumental passages, close harmony, and songs about night shifts, commuter trains, and the city after the bars close. Night Train to Dearborn, their new LP, was recorded live to two-inch tape over three days at Grand Crossing Sound with engineer Ruth Okonkwo. Every take on the record was played by the full band in one room, without overdubs or edits inside a song. On stage they play the whole album in sequence, then stretch out, with sets that run from forty-five minutes to two full hours.
Press photos and specs
The band supplies three photographs. In a live press kit each row links to its full-resolution file and credit line.
| Photograph | Orientation | File | Use | |
|---|---|---|---|---|
| Full band, left to right | Landscape | 6000 × 4000 px JPEG, sRGB | 20 × 13.3 in at 300 dpi | Order: Banks, Vega, Avery, Abe, Pryor, Lyle |
| June Avery, portrait | Portrait | 4000 × 5000 px JPEG, sRGB | 13.3 × 16.7 in at 300 dpi | Safe for a square 1:1 crop |
| Live at Grand Crossing | Landscape | 6000 × 4000 px TIFF, grayscale | 20 × 13.3 in at 300 dpi | Editorial and festival programs |
The live session reel
- 00:00 Dearborn Station
- 04:31 Second Shift Lullaby
- 09:48 Halsted After Midnight
Filmed in one pass with three cameras, mixed from the same 16-track tape as the record.
Request a date hold
Step 1 of 3
- Engagement & date
- Venue & offer
- Review
Engagement and date
Venue and offer
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Review the brief
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In a live press kit this brief would reach the band’s booking agent, with the stage plot and input list attached.